100.7 4US - Rockhampton, Qld. December 1999. ( Aboriginal Community Station )
87.6 Beat FM - Bundaberg, Qld. January 2000. ( 1 Watt Narrowcast Station!! )
90.7 4CSB 'Crow FM' - Wondai, Qld. January 2000. ( Community Station )
98.7 Classic Hits 99FM / Radio Caroline - Timaru, New Zealand. January 1996. ( 3kW Commercial )
93.1 93ZM - Whangarei, New Zealand. January 1996. ( 100W Commercial station ) NOTE 1
99.5 Ngatihine FM - Whangarei, NZ. January 1996. ( Maori station - rare reception from Sydney)
95.4 Tainui FM - Waikato, New Zealand. January 1996. ( Maori FM Station )
95.8 Mai FM - Pukekohe, New Zealand. January 1996. ( Rebroadcast of Mai FM 88.6 Auckland. Maori stn.)
98.6 Classic Hits ZH-FM - Hamilton, NZ. January 1996. ( Commercial stn w/ 63kW @ 952m ASL ) NOTE 2
100.0 Hauraki FM - Hamilton, NZ. 1/1996 (Commercial stn, now Radio Pacific on this freq from TX site: Ruru )
93.8 Blue Skies FM - Hamilton, NZ. January 1996. ( Former commercial station )
95.4 Mosgiel FM (relaying Dunedin's 4XO Gold) Mosgiel, New Zealand. January 1996.
FM96 - Lautoka, Fiji. January 1996. ( Commercial Network. Double hop skip. Fiji heard on 4 occassions )
Radio Fiji Gold - Suva, Fiji. January 1996. ( Commercial Network. This station heard on 2 occassions )
92.4 Southland Access Radio - Gore, New Zealand. January 1996. ( Access station )
100.5 8HA/T - Yulara, NT. January 1996. ( Commercial relay. 200 Watts )
NOTE 1: Interference ( the Opera singer screaming her tits off ) from 92.9 ABCFM Sydney (Aust) with 60kW.
NOTE 2: ZH-FM New Zealand also heard via tropospheric ducting from Sydney, Australia over a 24hour period from 21/1/1997
With many of the above recordings the fidelity may sound quite poor. This maybe due to the 110kHz ceramic IF filters used in my tuner for ultra selectivity from 1998 & also because of the sample rate used to encode these REAL AUDIO recordings. Not the kind of fidelity FM Broadcasters aspire too!
To listen to these recordings you'll need: REAL PLAYER
THIS PAGE COPYRIGHT: IAN BAXTER 2002
LAST MODIFIED: 07-1-2002 by Katherine Wilson